HOWARD BLAKE MUSIC RENAISSANCE MAN/ THE LAND OF COUNTERPANE. FILM PREMIERE EDINBURGH 4th and 5th NOVEMBER

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To say that Howard Blake has been taking things easy in the last few years, would be a total travesty. He seems busy as ever, with Concertos, Piano Music and various projects which seem to take him all over the Globe, but specifically I would suggest Europe and Far East. His latest CD has him teamed up with cellist Benedict Kloeckner called DIVERSIONS. Up and coming is a ballet he is currently working on, but certainly his work in the media has been noticeably absent in the last few years. That is till now

THE LAND OF COUNTERPANE is a song cycle based on Poems by Robert Louis Stevenson (1850 – 1894). For me who grew up in the Fifties minus can you believe Television, his adventures were the stuff of young boy’s fantasies, KIDNAPPED, TREASURE ISLAND and a personal favourite THE BLACK ARROW. But for some reason his collection of poems A CHILD’S GARDEN OF VERSES missed me completely by. The Counterpane in case you were wondering is a patchwork quilt into which each square contained a different story, and the young Robert breathed life into these patchwork squares by in later years writing a collection of poems

All this is fertile ground for a composer of Howard Blake’s imagination, for what he has done over a very long period of time is to write music to selected verses and whilst the classic THE SNOWMAN had only one song – and what a song- this has songs spread through the entire 26 minute film – This I feel very canny for if sold to a commercial network, time to fit in the dreaded adverts.

HB Piano Angle

Having since the film only the once, I feel this is very much a review in progress, for as I write this I would really like to see it again, for like a lot of films, sometime you cannot appreciate all that is going on it a single viewing and I personally feel that with repeated showings ,it could come a very worthy successor to THE SNOWMAN , which sadly THE BEAR did not become, though I must admit, to be quite fond of that as well.

The animation is very cleverly accomplished for as we see the young Robert in his sick bed it is very much black and white, whereas once we are enveloped into his fantasies, the screen becomes a blaze of colour. Anyone who warmed to THE SNOWMAN will certainly like this,

The Choir is from the Pupils of Mary Erskine School in Edinburgh, recorded now and in 2007 at the Usher Hall in Edinburgh. Not a professional choir at all, they still bring a freshness and youthful vigour to the singing which is most commendable and enjoyable. I defy anyone not to enjoy the choral work on offer here

To be reading this you must have an interest in film music and those that appreciated Howard’s earlier scores like RIDDLE OF THE SANDS and THE DUELLISTS will find the same degree of understanding of what music in film and animation can inspire to. The narrator as Robert Louis Stevenson is David Rintoul and the music is played by the Scottish Chamber Orchestra conducted by Howard Blake. The Epilogue spoken by Rintoul is a very emotional moment ,looking back into his life to find the boy that he was , no longer there. and for me, and I suspect for many, a highlight of the film.

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I sincerely hope that this in time will prove a worthwhile successor to THE SNOWMAN but in it’s own right. I should also mention that the illustrations by Mark Reeve and Animation by Emmett Elvin are first rate, and one can see, that this has been a labour of love for all concerned.

Whilst there seems to be no film assignment on the horizon , we can be grateful for the outstanding scores he has produced for film ‘s of such varying quality. Some classics as the aforementioned THE DUELLISTS and RIDDLE OF THE SANDS, and some like S.O.S. TITANIC which I would have loved to hear in the full longer film, certainly the one currently available is lamentably short. Then of course there are THE AVENGERS , scores for the some of the latter Linda Thorson epsodioes which show show imagination and even those early days, class

I often think that whilst there is no comparison as such background wise, he has a marked affinity with Andre Previn, both stated out working on films and pianist , arranger before going on to provide scores , highly regarded by their peers, and aficionados alike. Both felt, I suspect that the they both felt that need to write music that didn’t have someone talking over.

Both have accomplished that to a very high level for both composers can appeal emotionally to listener, for what else is music if you cannot get emotionally involved I still hope one day Howard will find a feature film that will utilise his undeniable talents for he has a keen dramatic instinct .Till then THE LAND OF COUNTERPANE will do quite nicely. Yes indeed.

John Williams

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