THEIR FINEST is a film about people making a movie, well a propaganda film about Dunkirk, it is typically a little British stiff upper lip and has to it a poignancy and a slightly sweet aura and is certainly amusing throughout. Its clever storyline oozes an atmosphere that is at times inspiring, highly patriotic and romantic. The focus of the storyline is upon a couple of young people who are working on the film and via their working relationship become involved romantically. It also gives the watching audience a very rare insight into a part of the war effort between 1939 and 1945 that is rarely given the spotlight, which is that of the ministry of information. The film also has an emotive side that shows us the efforts of an ageing film star Ambrose Hilliard played wonderfully by the excellent Bill Nighy, who is coming to terms with the fact that he is no longer leading actor material and must settle for lesser roles. In my opinion the movie seemed a little too condensed and maybe would have come over better as a four or five-part series for television, nevertheless it is entertaining and enjoyable. The music is by British born composer Rachel Portman, who has over the past few years written some of cinemas most beautiful musical scores. THEIR FINEST is in my humble opinion one of the composers most touching and emotive works and one that mirrors some of her most popular scores such as THE CIDER HOUSE RULES ,the score opens with a slightly upbeat and invigorating piece entitled CATRIN GOES TO MINISTRY, strings open and lead throughout with the composer adding to the mix a flute solo which introduces the fabric of the theme whilst being bolstered and supported by the string section, although short lived this cue establishes itself fairly swiftly and also is an introduction for much of what follows, track number two, I,D MISS YOU is a slower more subdued piece for solo piano, it is a delicate and fragile sounding piece which purveys an atmosphere that is brimming with emotion, melancholy and poignancy. These two opening themes are present throughout the entire work, with the composer presenting them in various arrangements and guises, keeping them fresh and vibrant on each outing. There are also some nice patriotic set pieces within the score and these for me recalled the style of Walton on occasion, especially in NANCY STARLING PARTS 1 AND 2. Overall this is thus far this year one of the best film scores I have heard, I recommend that you check it out.