CLASH OF FUTURES.

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Movie score Media is a record label that I really adore, not only do they champion lesser known composers, but they also release soundtracks by composers that collectors are familiar with that ordinarily would not see a digital or CD release. One of the labels recent releases is the score from the television series CLASH OF FUTURES which has a stunning soundtrack composed by Laurent Eyquem. Laurent is a composer of note as far as I am concerned, he has written the music for many movies and been associated with television productions, you may be familiar with his music via films such as COPPERHEAD, MOMENTUM, NOSTALGIA and the excellent USS INDIANAPOLIS-MEN OF COURAGE. It is I think somewhat unfair that a composer such as this does not seem to get the adulation and the focus from collectors that is so richly deserved. His music is varied and innovative the composer consistently producing scores that are of a high quality and filled with rich and vibrant themeatic material.

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This latest offering from the composer is an intense and entertaining listen, it is overflowing with themes that are lush and haunting as well as having its fair share of darker and more sinister sounding material. In CLASH OF FUTURES one can hear the style and the individual musical fingerprint of Eyquem, drama and action being conjured up by the smouldering and tense music. Most of the score has to it an apprehensive and slow building persona, but it does at times break into a more grandiose and driving symphonic style at times surprising the listener with a richness and lavishness that can be breath-taking. The score also possesses a more intimate side that for me evoked the style of composers John Barry and Ennio Morricone muted trumpet and what I think could be flugelhorn play against a kind of rippling piano solo feature as do strings and percussive elements, all these components combine and fuse together to create a sound and style that is infectious. I love the way in which the composer fashions brooding and slow building pieces throughout, layering strings and enhancing these with percussion, adding to the instrumentation as the cue develops to construct an effective and affecting sound, he also utilises Soprano voices at key moments which give the work an almost otherworldly sound that is haunting and mesmerising, with choir also being utilised effectively.

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As is the way these days in contemporary film music the score does have synthetic support but this blends and fuses seamlessly with that of the symphonic. Laurent Eyquem is a composer who has the talent and ability to create wonderful tone poems that enhance and support every project he is involved with, and as well as serving the images and storylines the composer also manages to create music that is enjoyable to sit and listen to away from those images and scenarios. There are no highlight moments within the score, because each track each piece and each theme is a highlight itself. The combination of sorrowful but attractive cello and piano at times is memorable and enriching.  Original sounding orchestration and imaginative use of brass instruments is noticeable, and as I have mentioned can be likened to the style of Morricone, a style and sound that  catches the listeners attention throughout. One for the collection, one of the best scores thus far this year.  Available as a digital download and later will be released as a physical CD on Quartet records.  Highly recommended.

 

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