BRUCE MONTGOMERY, AUTHOR AND COMPOSER.

bruce mont

 

Bruce Montgomery was born on October 2, 1921 in Chesham Bios, Buckinghamshire, England as Robert Bruce Montgomery. He is know, for his work on the CARRY ON, movies mentioned previously, plus he also enjoyed a career as a successful author writing Under the pseudonym Edmund Crispin, he penned a series of mystery novels and short stories featuring the character Gervase Fen. Also, as Edmund Crispin, he edited several collections of science fiction short stories. The first, “Best SF” (1955), had a great influence on acceptance of the Sci Fi genre as serious writing in Britain. His Gervase Fen novel “Frequent Hearses” takes place in and around a British movie studio, and contains many insider jokes about actors, directors, musicians, and others in the business. Towards the end of his career his alcoholism became worse, which resulted in him not being able to meet deadlines and complete scores for movies, it was at this point that he enlisted the assistance of fellow composer Eric Rogers and CARRY ON producer Peter Thomas decided that Rogers should be the main composer for the films. Bruce Montgomery, passed away on September 15, 1978 in West Hampstead, London, England, which was a sad ending to a career that could have been even greater. Apart from his music for the CARRY ON, movies the composer wrote the scores to numerous other pictures, these included, THE BRIDES OF FU MAN CHU, DOCTOR IN LOVE, DOCTOR IN THE HOUSE, DOCTOR AT LARGE, TWICE AROUND THE DAFFODILS, THE KIDNAPPERS, RAISING THE WIND and many others. Bruce Montgomery’s CARRY ON scores too would be welcomed in their original form as releases onto compact disc I am sure. CARRY ON SERGEANT, NURSE, TEACHER, CONSTABLE, REGARDLESS and CRUISING. Were all typical of British films scores from the late 1950, s through to the first part of the 1960, s, with Montgomery’s style being more akin to and belonging to the era of the war years, with the music running continuously more often than not. However, there were some strong themes within all the scores, the march that Montgomery penned for CARRY ON SERGEANT for example ended up being the CARRY-ON THEME and endured throughout the series being heard in some form or another in each CARRY-ON outing, and alongside the serious music if you can categorize it as being serious that is, were jazz orientated pieces of light music which was at the time popular with most.

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