Originally released in 1967 on a CAM LP record which also included tracks on the B side from THE BELLE STARR STORY with music by Charles Dumont, this Cipriani spaghetti western score has to be one of the most popular and well known non-Morricone western scores from the 1960s. The theme was covered by numerous artists worldwide including the likes of LeRoy Holmes, Geoff Love and Henry Mancini – the latter held Cipriani’s composition in high esteem and was a composer who Cipriani said was an inspiration to him. A MAN A HORSE AND A GUN was also one of the first soundtracks to be re-issued by CAM as part of their Soundtrack Encyclopedia series (CSE 102). But sadly the recording was slightly flawed and was of a very short running duration; the original CD release running for just 23 mins 40 seconds. CAM did re-issue the score again with a few extra tracks and included it on a disc Continue reading Un uomo, un cavallo, una pistola
One of the early Morricone westerns, LE PISTOLE NON DISCUTONO (aka. BULLETS DON’T ARGUE) was released in 1964 just a few months before Sergio Leone’s first DOLLAR movie, A FISTFUL OF DOLLARS. This Spanish, German and Italian co-production was a western made in Europe and was full of borrowed themes and clichés which had all been used before in Hollywood westerns. The producers even had Pat Garrett as the film’s central character with one of the other principal players taking on the role of a certain Billy Clanton. But in saying this, the movie was not actually a bad one. It was certainly nothing spectacular but at least it was watchable as a sagebrush yarn filled with plenty of riding here and there and lots of action – the star of the film, Rod Cameron, taking on the persona of a Randolph Scott type character. Continue reading Le pistole non discutono
This two disc set will, I am sure, be popular amongst fans of the actual movie and also followers of the composer Eshkeri. Disc one is just music from the soundtrack and disc two is dialogue and music from the movie. To be fair, I think in a film such as this, the composer is a little limited as to what he can actually write. I do not think there is much room for the composer to go all lush and romantic in this particular case, so the score as provided is pretty fair. I did find the soundtrack a little repetitive and dominated by loud and harsh sounding percussion. This percussion is, to be honest, too harsh for this listener and the score overall contains very little that one can actually sit and listen to without having palpitations or maybe reaching for the skip button on the CD player. This however does not mean in any way that Eshkeri is not a talented and highly original film music composer Continue reading Coriolanus
At the age of 30, Panu Aaltio is already an in-demand composer and music producer having worked on projects in his native Finland, many other European countries and in the United States. He has composed music for popular feature films, video games and primetime TV series. A classically trained cellist since the age of 6, as well as an electronic music enthusiast for just as long, his music embodies a unique and fresh mix of contemporary and tradition. Right after finishing high school, Panu went on to study music technology as well as classical composition in Sibelius Academy in Helsinki.
In 2005 Panu moved to Los Angeles to study film music at University of Southern California. Upon graduating, he received the Harry Warren Scholarship for Excellence in Film Scoring. Recent films include THE HOME OF DARK BUTTERFLIES, for which Panu received a Best Music nomination at the Jussi Awards in2009, and the horror film SAUNA, released by IFC Entertainment in the United States. He also scored the newly released video game Apache: Air Assault, published by Activision. Continue reading Panu Aaltio
Composer and Audiovisual Communication graduate by Universitat Pompeu Fabra, his work has been performed in the Palau de la Generalitat, Sala Metrònom and at the Centre for Contemporary Culture of Barcelona (CCCB); amongst others. He was awarded the New Talent Pavillion at Milia98 (Cannes) with his graduation project (Infern, by Dante). He is head of production and member of the board of directors at l’Alternativa, Barcelona Independent Film Festival (alternativa.cccb.org). He also organises the Film Music Workshop, whose guests have included Spanish composers Roque Baños, Ángel Illarramendi, Manuel Balboa and internationals composers as Bruno Coulais and Patrick Doyle. He also teaches Digital Audio, Film Music and Interactive Communication at the University of Vic (Spain). He has composed the music for a number of awarded short films and documentaries; in 2005 he composed the soundtrack for his first feature thriller film THE UNINVITED GUEST (El Habitante Incierto), awarded in Sitges and Bilbao film festivals, and has collaborated in several films like FILMAX’S GISAKU (2006) and APARECIDOS (2008). Continue reading Marc Vaillo