At last a new score from multi talented composer Johan Soderqvist, I have for many years admired this composers work, his music for LET THE RIGHT ONE IN being the score that blew me away and convinced me to watch out for his future scores. The latest addition to the composers impressive list of credits is the soundtrack for the movie AMUNDSEN. This is an inspiring score for a true and even more inspiring story, it is a historical epic about a hero of Norway Roald Amundsen who is best-remembered for his achievement of reaching the South Pole in 1911. The score is one that is filled with atmospheric sounds and themes, the composer creating some wonderfully haunting and melodic passages that seem to come from nowhere, his style is so original and fresh, he is also a composer who experiments with sounds as well as music, fusing the two to fashion effective and innovative nuances and motifs. For example he will utilise synthetic sounds and over these he will introduce a plaintive and melancholy piano solo then support this with melodious and romantic strings as in track number three on this score entitled TWO BROTHERS. In this fairly brief cue the composer purveys so many emotions and fills the listener with hope, sadness and romanticism all at once. Soderqvist, is a master at the use of unusual sounds within his film scores the usual becomes the innovative and musters the interest of either the watching audience or the film music collector who is listening to the score just as stand alone music. Maybe there is a touch of the drone style of scoring within this particular score where score melds into sound design, but in this case it is warranted and also well executed. The cue THE ICE RAVINE/NAMING THE MOUNTAINS is such a track, mostly consisting of atonal sounds but from time to time there is a glimmer of a melody or at least a hint of it, I thought towards the end of the three minute cue there were certain attributes that could fall into the Morricone style of scoring, being dark but at the same moment containing a lilting theme underneath the atonal elements. AT THE SOUTH POLE is a near anthem like piece and I suppose is the closest that the score comes to being lush or lavish, the theme builds to a crescendo of sorts that is quite emotional, then fades back into a piano led piece underlined by strings. There is also action cues within the score, as in the thundering and urgent sounding ICE BEAR ATTACK, which although short in duration is relentless in its ferociousness. Soderqvist has created a score that conjures up a feeling of desolation and one of loneliness and listening to the music one can imagine just a little how vast an area that Amundsen found himself in. THE CHILDREN is another cue that I was attracted too, piano again with underlying strings augmenting then the piece moves into a poignant theme performed by guitar and piano, delightful This is a score that I think you will enjoy very much, there are so many emotions purveyed throughout its duration that it is hard to fully describe, but I will say it is a score to take a listen to, released by MOVIE SCORE MEDIA now on digital platforms and soon to be released on CD by Rosetta.