Tag Archives: ANDRES SANCHEZ

LA IRA O EL SEOL.

LA IRA
It’s a funny thing, when you collect film music you sometimes think that you know the style of many of the composers that you favour, well I thought I knew what to expect from composers Gus Reyes and Andres Sanchez, up until I heard their score for, LA IRA O EL SEOL that is, When I first started to listen I thought, this is certainly different, but I should know that composers who write for film are a talented bunch and are able to alter their style and also the sound that they create from film to film, to suit the scenario of the film and also the style of the movie. LA IRA O EL SEOL contains a score that is a lot darker and complex than anything Sanchez and Reyes have written before, well at least darker than anything I have heard from them. This is a menacing sound here, a virulent and chilling persona comes through and does effectively chill one to the bone. It is in my opinion one of the most accomplished and polished scores that they have penned to date. I am a fan of dark and shadowy scores and this one fits the bill perfectly, there is a real sense of the unknown and the foreboding purveyed within the work, often fleeting sounds or hints of themes and motifs can be disconcerting for the listener as one is trying to focus upon what one thinks is an emerging theme, but instead another sound hits you out of nowhere, the cue HELL on the score is a harrowing piece and the composers make effective use of choir and Soprano, I would not say that it is a melodic cue, but more of an impacting and powerful one, with the voices of the choir bringing an uneasy and unnerving quality to the work.

La-ira-o-el-seol

 

These attributes also manifest themselves throughout the remainder of the score, the composers creating a sinister and unhinged sound that for me evoke the works of composer Gyorgy Ligeti, in REQUIEM ll: IL KYRIE and ATMOSPHERES. The use of the human voice being a vital component to the creation of a fearful and near chaotic sound. I have to say that when listening to many of the cues on the score I did feel uncomfortable as in spine tingling so. LA IRA O EL SEOL is a robust and vibrant work, complex yet attractive, uneasy yet at the same time mesmerising. Take a listen, it’s a rewarding experience. Recommended.

FALCO.

FA

 

The composing powerhouse collaboration that is Gus Reyes and Andres Sanchez is once again with us.  One of their more recent projects, FALCO the TV series season one is I have to say another excellent work with these two versatile and talented composers not failing to excite, entertain and wow, with their inventive and innovative style of scoring. FALCO is an up beat and commanding score that is filled with haunting musical hooks and pulsating beats, it is a work that is very much contemporary in its style, the composers utilising synthetic sounds alongside a more conventional style, but it is on this occasion the electronic side of things that dominates and is effective. The composers establish a core sound early on in the work, and from this they build their atmospheric and darkly enticing yet up tempo score, in many ways I was reminded of the work of Giorgio Moroder mainly in MIDNIGHT EXPRESS, it has that aura and persona to it, the tense and nervy sounds create layers of tension which build and multiply to fashion a stressful atmosphere. This mood is present throughout most of the score, with the occasional respite, that at times lulls the listener into a false sense of security. I found myself totally immersed by the dark and tense style that is employed within the soundtrack, and at times although not thematic it still held my attention and was in a strange way mesmerising. This is a brooding and understated work at times but every now and then we are treated to a hint of a theme that does on occasion burst forth as in the track BASEBALL. I also think and this is a personal thing, that there are within the score a few references to the music of the Euro western, just little nuances, fleeting sounds and even a strumming of guitar placed at a strategic point in the proceedings, kind of evokes the sound we associate with the likes of Morricone, Nicolai and Ferrio. Overall this is a score that I am confident you will savour and enjoy, so add it to your collection.