The first time I heard Laurent Eyquem,s music was for the movie COPPERHEAD, which got me hooked straight away, well I say hooked more like interested and fascinated that a composer such as this I had not heard of before. I then heard a few more of his works that were for in the main movies produced in South Africa and the composer very kindly sent me a download of his score for WINNIE MANDELA, this led to an interview with him and then I realised just what a great talent he was. One of his latest assignments is RAGE-TOKAREV which is a tense action thriller starring Nicholas Cage. Cages characters daughter is kidnapped and he turns to his old acquaintances in the criminal world and reverts to his old ways to try and get her back. The score for this drama is a multi coloured and varied styled score which seems to encompass an entire palette of sounds and musical textures during its running time. Poignant and touching tone poems are accompanied by nervously tense and highly combustible tracks which have at their core thundering percussive elements that drive headlong at a break neck speed to create that edge of the seat tension that is required in movies such as this as in track number 2, THE KIDNAPPING and track number 3, TRYING TO UNDERSTAND which are veritable smorgasbords of sounds both symphonic and synthetic, but the composer fuses these in such a way that they compliment and embellish each other to heighten the drama and create a thrilling and relentless composition. I was struck by the fact that even the more robust and action led cues remain musical and melodic throughout, the composer creating dramatic and powerful cues that are dynamic and pulsating but have solid thematic properties. I must admit that it is the quieter moments within the score that attract me personally more than the action material; the composer has the ability to create haunting and subtle musical phrases that are highly emotive and in a word beautiful, as in cues such as BODY FOUND, THE PAIN and the plaintive and emotive BOX FULL OF MEMORIES. The composer also utilises female voice within the work which adds a fragility and delicate tone to the proceedings. Solo piano features large within the score also and it purveys an atmosphere which is calming but also at the same time is filled with melancholy.
The score does have a particularly attractive central theme which is at times performed by piano and also is give a fuller and more expanded work out by the string section who give the theme a sweeping, luxurious and lavish sound.
This is a score that I recommend you add to your collection, and while you are listening to it make sure you have your pc on to go to one of those well known sites that sell music because as soon as you hear the artistry and the richness and the freshness of Laurent Eyquem, s music you will be looking for more of the same. Presented well by Caldera records with informative notes by Gergely Hubai and eye catching art work by Luis Miguel Rojas. The CD was produced by Stephan Eicke and John Elborg.