Released in 2001. QUEENS MESSENGER, stars, Gary Daniels as Captain Strong, who is a member of the SAS on loan as it were to the Secret Service, who put him to work as a messenger. Strong is a seasoned and highly thought of officer who has the trust of his government. He is a given a highly volatile assignment which involves the perilous task of delivering an important message to the British Consul in Kazakhstan. He must guard the message with his life, as it contains the details of a number of secret agreements that have been made by a handful of heads of state regarding the control of the country’s oil resources. Strong must keep his wits about as there are many who would like to relieve him of this important document. Ben Samm, is one such person, he is the leader of rebels who most certainly benefit from gaining control of the regions oil exploration right. Whilst travelling to Kazakhstan, Strong meets and teams up with American news reporter Alexi Jones played by Teresa Sherrer, who has heard rumours surrounding the Country’s oil resources and is investigating these, but also becomes curious about Captain Strong’s part in it all. Both the reporter and Strong are captured by the rebels, who have also kidnapped the British Ambassador, and are holding him hostage. Strong decides he must attempt to escape and lead his fellow prisoners to safety. Directed by Mark Roper, QUEENS MESSENGER, is an enjoyabl thriller, that contains more action than storyline, the movies central character becoming involved in an overabundance of chases, shoot outs, and fast paced hand to hand fighting, which take up approximately 90 percent of the films duration. The Bulgarian/Canadian and British co-production, was made on a low budget and sadly at certain points within the movie this does show, but saying this it still manages to entertain without the audience having to think to much about the plot. The musical score for QUEENS MESSENGER is the work of Italian Maestro, Stelvio Cipriani, who came to the notice of the cinema going public back in the 1960, s via his, inventive, haunting and infectious soundtracks to Italian produced westerns, such as A MAN A HORSE AND A GUN, THE BOUNTY KILLER and THEY CALL ME ALLELUJAH to name but three. His theme for A MAN A HORSE AND A GUN became a worldwide hit with artists such as LeRoy Holmes and Henry Mancini including arrangements of it on their albums. Cipriani also became known for his highly emotive and theme laden score to THE ANONYMOUS VENITIAN. The music for QUEENS MESSENGER is in the main action driven, with up-tempo themes and near martial sounding cues dominating the work. But the composer also manages to include a lush and romantic sounding side to the soundtrack, in the tracks, BACK TO LIFE and ALEXI’S THEME with strings that swell and rise and solo piano that is delicate and alluring, which adds a degree of fragility to the proceedings. Its sound not being a million miles away from the composer’s music for THE ANONYMOUS VENETIAN.
Cipriani does have a distinct and recognisable sound, but for QUEENS MESSENGER, the composer employed a more conventional approach, relying upon strong performances from, brass. percussion and strings, with Female solo voice making a subtle appearance from time to time, giving the score a touch of ethnic authenticity. He also bolsters and supports the conventional orchestra with a handful of electronic and synthetic additions which combine with the symphonic seamlessly. Thanks to Kronos records we can hear one of the composer’s lesser known works for the silver screen.